New Ideas for the New School Year: Three High School Dance Teachers Share

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Creative-based projects….community-based dance….and the beginner's mind….

From Kristin Blatzheim of Apple Valley High School (Apple Valley, MN):

After a few experiences with my students last year, I want to be sure to incorporate more choreographic opportunities on a regular basis into my classes, especially my beginning classes. I normally leave time for 1 or 2 larger, full length choreography studies/projects a year, but I am learning that students need (and like) opportunities to show their individuality, special skills, music preferences, and dance ideas more than I realize. I was amazed at how a small, fairly simple choreography project I gave last year as a 3-day "filler" before winter break was so well received by students. The whole class was engaged, enthusiastic, and proud of their work. It built some great community in a class that was struggling to connect as a group, and some students who struggled to manage their behavior in a large group setting really shined working in a small group. I realized that as much as technique classes are essential to their dance training, not all students, especially beginning 9th-10th grade students, can handle the repetitive nature of technique training like I can and that adding in choice time like choreography tasks as a rule, rather than as only a unit of study, can have huge benefits. Even 10 years into being a high school dance teacher I am learning about what students need and how I can get them engaged in dance in many different ways!

From Ashley Mott of Park City High School (Park City,UT):

My goal this year is to do more outreach and service projects with my dance company and junior dance company. These students come from primarily privileged backgrounds and highly technical private studio training. While appreciating their own training and talent, I would like to help them also learn to connect more with community-level dance and gain an increased understanding of the important role of dance for ALL. We will be attending the daCi (dance and the child international) conference in October; my dance company students will be doing a collaborative project there with people from a senior center. I also would like to collaborate with an after school program for lower income families; can my dancers offer dance lessons to younger children?

From Stefani Berger of The College Preparatory School (Oakland, CA):
 
Taking space/time off from dance is invaluable. It provides us with an opportunity to experience our senses physically, and our artistic sensibilities creatively, as we feel anew our dancer self. 
 
In Buddhism this might be expressed as THE BEGINNER'S MIND.
 
Shoshin (初心) is a word from Zen Buddhism which means "beginner's mind." It refers to having an attitude of openness, eagerness, and lack of preconceptions when studying a subject, even when studying at an advanced level, just as a beginner in that subject would. 
 
I love this experience….. and as we begin a new year of dance, I encourage my students/dancers from beginner to advanced (and myself) to allow the muse of the beginner's mind to visit. Remembering one's initial connection to dance refreshes and informs as we remember why we love to dance.

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Related posts:

My Dance Week: Kristin Blatzheim on Teaching Full-Time at a High School

My Dance Week: Falon Baltzell on Teaching Full-Time at a High School

Artist Profile: Linda Carr of Berkeley High School

Artist Profile: Wendy Jones of Lowell High School

Artist Profile: Angela Demmel of Moreau Catholic High School

Teach dance in a high school? 14 reflection questions as you grow and develop your program

Advocacy/PR/Documentation: Ideas for K-12 Dance Teaching Artists

Jan Erkert's Book, Harnessing the Wind

For Middle School Dance Educators: A Graphic Organizer to Support the Choreographic Process for Your Students

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I’m Jill, the creator and editor for this site. I am passionate about sharing artists’ journeys and offerings resources and inspiration for the field.