Category: One Good Quote

  • One Good Quote: “Tangram” with Megan Lowe Dances (December 2021)

    Dancer Brenton Cheng jumps into the air, his hand connected via finger traps to the hand of another dancer, Megan Lowe, who props herself up off the ground horizontally. Photo by RJ Muna. In Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals are multi-fold: What are…

  • One Good Quote: “Not About Race Dance” with Gerald Casel Dance (December 2021)

    In Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals are multi-fold: What are new ways to invite post-performance writing (since so few publications now print dance reviews, and there are fewer and fewer dance critics in the United States)? How can choreographers hear and read more…

  • One Good Quote: “Diffusion” with FACT/SF (May 1 and 2, 2021)

    In Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals are multi-fold: What are new ways to invite post-performance writing (since so few publications now print dance reviews, and there are fewer and fewer dance critics in the United States)? How can choreographers hear and read more…

  • One Good Quote: “As Is” with Jennifer Perfilio Movement Works (April 2021)

    Dancers (left to right) Emma Lanier, Samuel Melecio-Zambrano, and Shareen DeRyan. Photo by Jennifer Perfilio. In Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals are multi-fold: What are new ways to invite post-performance writing (since so few publications now print dance reviews, and there are fewer…

  • One Good Quote: “The Healer” with RAWdance (online January 29-30, 2021)

    Katerina Wong (left) and Stacey Yuen (right)   In Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals are multi-fold: What are new ways to invite post-performance writing (since so few publications now print dance reviews, and there are fewer and fewer dance critics in the United…

  • One Good Quote: “From One to Many” Online Performance (May 2, 2020)

    In Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals are multi-fold: What are new ways to invite post-performance writing (since so few publications now print dance reviews, and there are fewer and fewer dance critics in the United States)? How can choreographers hear and read more…

  • One Good Quote: MidCentury Blue(s) with the Wax Poet(s)

    In Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals are multi-fold: What are new ways to invite post-performance writing (since so few publications now print dance reviews, and there are fewer and fewer dance critics in the United States)? How can choreographers hear and read more…

  • One Good Quote: Nina Haft & Company in Precarious Pod

    Photo: Ebbe Sweet In Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals are multi-fold: What are new ways to invite post-performance writing (since so few publications now print dance reviews, and there are fewer and fewer dance critics in the United States)? How can choreographers hear…

  • One Good Quote: Davalos Dance Company in Borders, Spaces and Brown Eyes

    Photo: David Gaylord In Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals are multi-fold: What are new ways to invite post-performance writing (since so few publications now print dance reviews, and there are fewer and fewer dance critics in the United States)? How can choreographers hear…

  • One Good Quote: Lipstick Lumberjacks, Losers, and Leapfrogs (Vella & Merrell)

    In Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals are multi-fold: What are new ways to invite post-performance writing (since so few publications now print dance reviews, and there are fewer and fewer dance critics in the United States)? How can choreographers hear and read more…