Hometown: Greenfield, Massachusetts
Current city: Port Orange, Florida
Age: 36
When you first took a modern dance class: 12yrs
College and degree: University of Utah, BFA Modern Dance
Graduate school and degree: Currently completing my MFA in
Choreography as the Howard Gilman Fellow at Jacksonville University's new low-residency MFA
program
Website: surfscapedance.org
How you pay the bills: Co-Founder and Artistic Director of Surfscape Contemporary
Dance Theatre; Group Exercise/Yoga/Pilates Instructor and Instructor Evaluator
All of the dance hats you wear: choreographer, teacher, administrator, grant writer, marketing, advocacy, (everything!)
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Can you write a little about your career within fitness. What is the relationship between your fitness work and your dance work? What do you enjoy most in your work? How do you care for your body?
Fitness began as a great way for me to keep moving when I really needed an emotional and mental break from dance, but I did not want to abort the idea of caring for my body and being active. It has since become an extremely important complement to my dance life as I age and evolve and seek new paths of movement discovery. I believe that the cardiovascular fitness, functional strength, proficiency, flexibility, adaptability, awareness, and mind-body connectivity that manifest in bodies that train in somatic practices are all invaluable. I include so much of what I have learned about anatomy, physiology, spirituality, and wellness into my teaching and personal practice. I regularly teach and participate in yoga, Pilates, dance, and fitness myself. It feels as though my body and soul depend on it.
How is grad school going? What is it like to be a student again, after spending years working and raising a family? What course or project most excites you these days?
Being back in school as a mid-career professional with three jobs, two kids, and a long-distance husband certainly comes with its share of challenges. But for some strange (and perhaps masochistic) reason, I absolutely love it! For one, I highly recommend attending graduate school after taking some time to exist in your field in some capacities other than as a formal student. My graduate endeavors are so informed by my personal life and creative experiences, and my life and creative endeavors are so enhanced and nourished by my recent discoveries while in school. Because I am researching and writing my thesis right now, I will claim that the project that “most excites” me is my thesis project. I am investigating the role, impact, and manifestations of non-verbal communication in the choreographic process and am striving to empirically conclude whether and how non-verbal interaction and meta-communication inform and augment the creative experience. Not only is the research I am conducting fascinating, it is so galvanizing as a choreographer to delve so deeply into the philosophical and epistemological realms of my practice. Graduate school has breathed new life into what I already felt was a very fulfilling artistic career.
Surfscape Dance. How many years has the company been in existence? What are the goals for this season?
Surfscape is just entering its eighth year. After last year felt attenuated by far too many small venue commitments that each pulled energy and resources away from larger projects, this season the company is streamlining its programming and returning to our previous model of placing the creation of new works at the top of our priority list. With this, we are preparing to take our first tour outside the United States in 2013, so a lot of our focus this year will be on raising money and preparing material for performances and dance festivals in France, Germany, and England. The company continues to mature and flourish, and we perpetually aspire to make a positive impact in our community while pushing boundaries, exploring new territories, and developing as artists.
What do you look for in a dancer for the company?
At SCDT, we are emphatic about the idea that we do not just hire dancers, we hire people. Rather than welcoming someone into the company just because of technical expertise, gender, or aesthetics, we really spend time getting to know who the dancer is and how he or she would likely fit into the family we have cultivated. The creative process is such a collaborative effort, so it is essential that each participant bring integrity, respect, ingenuity and positive methods of communication to the endeavor. We are truly fortunate; not only are our dancers talented and creative, but they are also wonderful people. We are all great friends, we share a common love for dance, and we put an immense communal effort into growing as artists and as an organization.
Talk about how you balance your work, family, and company.
It’s a constant juggling act to balance career, marriage, motherhood, graduate school and self. I find that I have to be extremely organized, painfully type A, drastically resilient, and totally accountable. At the same time, I sometimes have to employ my sense of humor and my intermittent ability to know when to stop burning the candle at both ends. Yoga definitely helps. Maintaining some perspective is crucial. And I am fortunate to have surrounded myself with a remarkable band of family and friends. (Oh, and each season I allow myself to watch one really intellectually stimulating TV show and one horribly brainless show that causes me to pass out and take a nap!)
Future career goals:
I have a great love for what I am doing now, and I make every effort to keep myself challenged and rewarded within each current moment. With that said, I would soon like to teach at the college level. After receiving a very comprehensive and traditional dance education in undergraduate school, participating in a very progressive and emancipated curriculum in graduate school, accumulating very diverse and practical experience while creating and directing a successful modern dance company, and extending my wealth of information and experience into somatic practice and wellness, I feel especially equipped and eager to share the information I have collected. Having already taught many populations and disciplines for over twenty years, I know that I thrive on guiding others toward facilitating their own personal growth and finding their own authentic path. College is one of the most profound times in the development of dancers and young adults; I would relish the opportunity to stay immersed in academia and the pursuit of active learning.
Advice to young dancers:
I wish that I had embraced the idea of “being” much earlier in my dance life. Rather than putting effort into doing everything correctly, I so wish that I had adopted the idea of existing within each moment – just being myself, having a real experience. But like anything else, we come to what we know when we are ready to know it. So my only advice, really, is to be okay with who you are and what you can inherently contribute to your own vitality and the world that surrounds you.




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