Jeanine Durning in rehearsal with Ros Warby for Deborah Hay's project with Motion Bank, Frankfurt Lab, 2012. Credit: Amin Weber
From Blog Director Jill Randall:
Looking back at the 136 artist profiles and monthly features from the past 4 years, I have selected 20 blog posts to use within a college Composition Course. The wide range of viewpoints and career paths can offer a window into working as a choreographer in the United States right now. Students can take away – and immediately experiment with – questions and suggestions from each choreographer. Use one blog post a week as a discussion starter, enlivening a Composition Course with real world applications and considerations about dancemaking.
You can share the links below, or print out each post to include in a course reader. Each post takes 5 minutes to read.
Feedback and stories are always welcome – randalldanceprojects@gmail.com.
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Fifteen Questions for Choreographers and Performers
The Choreographic Moment: Ideas from Douglas Nielsen
The Choreographic Moment: Ideas from Jo Kreiter
A Writing Exercise from the 2015 Virtual Writers' Workshop for Dancers
Summer Journal: On the Path with Emerging Choreographers
Artist Profile: Kate Weare (Brooklyn, NY)
Artist Profile: Ivy Baldwin (Brooklyn, NY)
Artist Profile: Onye Ozuzu (Chicago, IL)
Artist Profile: Victoria Marks (Los Angeles, CA)
Artist Profile: Daniel Charon (Salt Lake City, UT)
Artist Profile: Alexandra Beller (New York, NY)
Artist Profile: Jeanine Durning (New York, NY)
Artist Profile: Nina Haft (Oakland, CA)
Artist Profile: Peter DiMuro (Boston, MA)
Artist Profile: Randee Paufve (Oakland, CA)
Artist Profile: Susan Marshall (New York, NY)
Artist Profile: Liz Lerman (Baltimore, MD)
Artist Profile: Reggie Wilson (Brooklyn, NY)
Artist Profile: Banning Bouldin (Nashville, TN)
Artist Profile: Jo Kreiter (San Francisco, CA)
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