Category: One Good Quote

Back in Fall 2017, Life as a Modern Dancer launched One Good Quote for post-performance discussion and writing. The goals were multi-fold: The premise is simple, and 8 years later, still offers a valuable platform for artists and audience members alike. If you experienced the live performance of wild light with pateldanceworks, December 4-7 2025…

Back in Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals were multi-fold: What are new ways to invite post-performance writing (since so few publications now print dance reviews, and there are fewer and fewer dance critics in the United States)? How can choreographers hear and…

MoToR/dance. Photo by Kevin Adams. Back in Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals were multi-fold: What are new ways to invite post-performance writing (since so few publications now print dance reviews, and there are fewer and fewer dance critics in the United States)?…

Kira Fargas. Photo by RJ Muna. Back in Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals were multi-fold: What are new ways to invite post-performance writing (since so few publications now print dance reviews, and there are fewer and fewer dance critics in the United…

In Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals are multi-fold: What are new ways to invite post-performance writing (since so few publications now print dance reviews, and there are fewer and fewer dance critics in the United States)? How can choreographers hear and read more…

In Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals are multi-fold: What are new ways to invite post-performance writing (since so few publications now print dance reviews, and there are fewer and fewer dance critics in the United States)? How can choreographers hear and read more…

In Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals are multi-fold: What are new ways to invite post-performance writing (since so few publications now print dance reviews, and there are fewer and fewer dance critics in the United States)? How can choreographers hear and read more…

In Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals are multi-fold: What are new ways to invite post-performance writing (since so few publications now print dance reviews, and there are fewer and fewer dance critics in the United States)? How can choreographers hear and read more…

In Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals are multi-fold: What are new ways to invite post-performance writing (since so few publications now print dance reviews, and there are fewer and fewer dance critics in the United States)? How can choreographers hear and read more…

Dancer Brenton Cheng jumps into the air, his hand connected via finger traps to the hand of another dancer, Megan Lowe, who props herself up off the ground horizontally. Photo by RJ Muna. In Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals are multi-fold: What are…