Life as a Modern Dancer

Category: One Good Quote

  • One Good Quote: Let Slip the Witches with the Bellwether Dance Project

    In Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals are multi-fold: What are new ways to invite post-performance writing (since so few publications now print dance reviews, and there are fewer and fewer dance critics in the United States)? How can choreographers hear and read more…

  • One Good Quote: fey/done/a/weigh with the Wax Poet(s)

    In Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals are multi-fold: What are new ways to invite post-performance writing (since so few publications now print dance reviews, and there are fewer and fewer dance critics in the United States)? How can choreographers hear and read more…

  • One Good Quote: Nevertheless, with ka·nei·see | collective and Cat Call Choir (March 2019)

    In Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals are multi-fold: What are new ways to invite post-performance writing (since so few publications now print dance reviews, and there are fewer and fewer dance critics in the United States)? How can choreographers hear and read more…

  • One Good Quote: Katie Faulkner’s little seismic dance company in Divining

    Photo: Stephen Texeira In Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals are multi-fold: What are new ways to invite post-performance writing (since so few publications now print dance reviews, and there are fewer and fewer dance critics in the United States)? How can choreographers hear…

  • One Good Quote: Heartland + Dance Party, with Molly Heller (February 10, 2019)

    Molly Heller. Photo by Tori Duhaime. In Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals are multi-fold: What are new ways to invite post-performance writing (since so few publications now print dance reviews, and there are fewer and fewer dance critics in the United States)? How…

  • One Good Quote: MIND THE GAP, with Molly Rose-Williams and Aviva Rose-Williams

    Photo: Eric Gillet In Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals are multi-fold: What are new ways to invite post-performance writing (since so few publications now print dance reviews, and there are fewer and fewer dance critics in the United States)? How can choreographers hear…

  • One Good Quote: PEILING KAO DANCE

    Photo: Robbie Sweeny In Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals are multi-fold: What are new ways to invite post-performance writing (since so few publications now print dance reviews, and there are fewer and fewer dance critics in the United States)? How can choreographers hear…

  • One Good Quote: Social Movement by Molly Rose-Williams

    In Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals are multi-fold: What are new ways to invite post-performance writing (since so few publications now print dance reviews, and there are fewer and fewer dance critics in the United States)? How can choreographers hear and read more…

  • One Good Quote: Nora Sharp’s Small Boobs

    Nora Sharp. Photo by Matthew Gregory Hollis. In Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals are multi-fold: What are new ways to invite post-performance writing (since so few publications now print dance reviews, and there are fewer and fewer dance critics in the United States)?…

  • One Good Quote: Sarah Bush Dance Project’s Spirit & Bones

    Richelle Donigan. Photo by Amal Bisharat. In Fall 2017, Life as a Modern Dancer launched a new concept for post-performance discussion and writing. The goals are multi-fold: What are new ways to invite post-performance writing (since so few publications now print dance reviews, and there are fewer and fewer dance critics in the United States)? How…